Description
An etching of Emerentia van Beresteyn, with another impression found in the Rijksmuseum, Amsterdam.
The print is based on a portrait by Dutch Golden Age painter Pieter Claesz Soutman (1593–1657). Around the same era, another print was made after the same painting by Smeeton Tilly. However, I find this version by William Unger (1837–1932) much more compelling—it closely resembles Rembrandt’s style, with expressive lines and rich textures.
William Unger, a German etcher and engraver, was renowned for his masterful etchings after Rembrandt’s paintings, often executed in Rembrandt’s own etching style. His well-known works include Holy Family with the Curtain (1872) and Portrait of a Richly Dressed Young Woman with a Carnation (1872). Interestingly, Unger also created etchings of paintings by other Old Masters, such as Peter Paul Rubens, translating their works into Rembrandt’s signature style. This piece is one such example. When compared to Smeeton Tilly’s version, it is evident that Unger was not merely reproducing the original painting but rather interpreting it through the artistic lens of Rembrandt, whose technique he both admired and mastered. This work was likely created between 1872 and 1877, during Unger’s frequent visits to the Netherlands.
The etching measures 10.5 × 7.5 inches (paper) and 7 × 5 inches (image). Plate marks are visible, and the ink lines are crisp and sharp, suggesting it is an authentic intaglio print. The impression is on wove paper, commonly used in the 1870s.There is no watermark or signature, which is typical of many of Unger’s prints.
Disclaimer
I have conducted thorough research to ensure the accuracy and authenticity of this piece to the best of my ability. However, it is sold as is, with no guarantees or warranties regarding its provenance or historical attribution.
