Amand Durand after Martin Schongauer–The Censer–19th C Heliogravure Reproduction

SKU: b00099
$550.00

1 in stock

Also available on eBay (opens in a new tab)

Enquire about this artwork

Description

The Censer– Heliogravure – Amand-Durand – After MartinSchongauer Engraving – with Durand Stamp

This impression is a heliogravure reproduction by CharlesAmand‑Durand, based on Martin Schongauer’s circa 1470–1491 engraving The Censer ( Hollstein vol. XLIX, p. 217, no. 106; Lehrs 106; B. VI.162.107 ).Produced in 1878, this copy bears Amand‑Durand’s red collector’s stamp (Lugt2934) on the verso.

Schongauer’s The Censer is a celebrated work heldin major collections such as the Metropolitan Museum of Art and showsSchongauer’s mastery in engraving and ornamentation. The original engravings bySchongauer are rare and highly prized in today’s market.

Amand‑Durand’s high-end heliogravures faithfullyreplicate these masterpieces at a fraction of the cost, while his red-stampedimpressions are especially collectible, distinguishing them from later,unmarked printings


About Amand-Durand and His Heliogravures Charles Amand-Durand (1831–1905) was a renowned Parisian engraver, publisher,and the inventor of the heliogravure technique. In the late 1860s, commissionedby the Louvre Museum, he sought ways to preserve and restore worn prints by theOld Masters. Discovering that many original plates were too degraded to yieldquality impressions, he turned to the newly developed heliogravure process tocreate meticulous facsimiles from early, high-quality impressions housed in majorprint collections.

His method involved photographic transfer to alight-sensitive copper plate, followed by manual refinement of intricate linesand tonal areas. Each piece required months of preparation, resulting inreproductions so exact that even experienced curators were occasionally fooled.Amand-Durand’s heliogravures are therefore regarded not merely asreproductions, but as works of art in their own right.

To mark his work ethically and confidently, Amand-Durandapplied a red stamp ( Lugt 2934 ) to the back of each heliogravure. Afterhis death in 1905, many of his copperplates were reused by others—but withoutthe stamp, leading to confusion in the collecting world. For this reason,stamped impressions are the most desirable and collectible today.


Print Details

  • Image Size: 12.5 × 9.25 in
  • Technique: Heliogravure Etching
  • Paper: Laid paper with VANGELDER watermark
  • Condition: Excellent – strong impression, no noticeable damage, unframed

Provenance

  • Ripley Auctions

Inscriptions

  • Lower part: M+S


Disclaimer: I have conducted thorough research to ensure the accuracy and attribution ofthis piece to the best of my ability. However, it is sold as is, with noguarantees or warranties regarding authorship or provenance.

Additional information

Weight 3.0 lbs
Dimensions 19.0 × 13.0 × 3.0 in
Unit of Sale

Single Piece

Artist

["Charles Amand-Durand", "Martin Schongauer"]

Size

Medium

Item Length

12 in

Framing

Unframed

Region of Origin

France

Personalize

No

Unit Type

Unit

Year of Production

1878

Item Height

0

Style

["Old Master Print", "Heliogravure", "Renaissance", "Master Reproduction", "Engraving Reproduction", "Reproduction Etching"]

Features

["hand-pulled", "Stamped", "Amand Durand Stamp", "Collector Stamp", "LUGT 2934", "Durand Stamp", "Rare Find", "Early Print"]

Unit Quantity

1

Handmade

Yes

Item Width

9 in

Culture

Renaissance

Time Period Produced

1850-1899

Image Orientation

Portrait

Signed

No

Title

The Censer

Period

Renaissance (Pre-1600)

Material

Paper

Certificate of Authenticity (COA)

No

Original/Licensed Reprint

Original

Subject

["Jesus Christ", "Cross", "Pope", "Angel"]

Type

Print

Theme

["Art", "Religion", "Bible", "Church", "Pope", "Censer"]

Production Technique

Photogravure

Country of Origin

France

Item Condition

Used