Amand Durand after Claude Lorrain–Fountain of Neptune-19th Heliogravure-LUGT2934

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Description

The Fountain of Neptune- Heliogravure – Amand-Durand –After Claude Lorrain– Durand Stamp

This impression is a heliogravure reproduction by CharlesAmand‑Durand, after the 1637 etching The Fountain of Neptune by FrenchBaroque master painter, draughtsman, and printmaker Claude Lorrain ( ClaudeGellée , 1600–1682). It was one of the thirteen plates in series “TheFireworks of the Marquis of Castel Rodrigo, the Spanish Ambassador to the HolySee, on the Election of III of Hungary as King of the Romans”. A known originalimpression is held by The British Museum. The heliogravure was likely published1875 in the portfolio Eaux‑fortes de Claude Lorrain. Judged by the lack of inscription “XVI” on theupper left corner, this impression was based on the first state (of three) ofLorrain’s original etching.


About Amand-Durand and His Heliogravures Charles Amand-Durand (1831–1905) was a renowned Parisian engraver, publisher,and the inventor of the heliogravure technique. In the late 1860s, commissionedby the Louvre Museum, he sought ways to preserve and restore worn prints by theOld Masters. Discovering that many original plates were too degraded to yieldquality impressions, he turned to the newly developed heliogravure process tocreate meticulous facsimiles from early, high-quality impressions housed in majorprint collections.

His method involved photographic transfer to alight-sensitive copper plate, followed by manual refinement of intricate linesand tonal areas. Each piece required months of preparation, resulting inreproductions so exact that even experienced curators were occasionally fooled.Amand-Durand’s heliogravures are therefore regarded not merely asreproductions, but as works of art in their own right.

To mark his work ethically and confidently, Amand-Durandapplied a red stamp ( Lugt 2934 ) to the back of each heliogravure. Afterhis death in 1905, many of his copperplates were reused by others—but withoutthe stamp, leading to confusion in the collecting world. For this reason,stamped impressions are the most desirable and collectible today.


Print Details

  • Image Size: 8 × 5.75 in
  • Technique: Heliogravure Etching
  • Paper: Laid paper with Hermes watermark
  • Condition: Excellent – strong impression, no noticeable damage, unframed

Provenance

  • Bertolami Fine Art, Italy
  • Ripley Auctions, USA


Disclaimer: I have conducted thorough research to ensure the accuracy and attribution ofthis print to the best of my ability. However, it is sold as is, with noguarantees or warranties regarding authorship or provenance.

Additional information

Weight 3.0 lbs
Dimensions 19.0 × 13.0 × 3.0 in
Unit of Sale

Single Piece

Artist

["Charles Amand-Durand", "Claude Lorrain", "Claude Gellee"]

Size

Medium

Item Length

8 in

Framing

Unframed

Region of Origin

France

Personalize

No

Unit Type

Unit

Year of Production

1875

Item Height

0

Style

["Old Master Print", "Heliogravure", "Renaissance", "Engraving Reproduction"]

Features

["hand-pulled", "Stamped", "Master Reproduction", "Rare Find", "LUGT 2934"]

Unit Quantity

1

Handmade

Yes

Item Width

5 in

Culture

Baroque

Time Period Produced

1850-1899

Image Orientation

Portrait

Signed

No

Title

The Fountain of Neptune

Period

Baroque/Roccoco (1600-1770)

Material

Paper

Certificate of Authenticity (COA)

No

Original/Licensed Reprint

Original

Subject

["Rome", "Statue", "Portrait", "Male Character", "Roman Soldier", "Holy Woman", "King", "Roman", "Celebration", "Neptune", "Fountain", "Etching Reproduction", "Old Master Etching"]

Type

Print

Theme

["Art", "Potrait", "Religion", "Bible", "God"]

Production Technique

Photogravure

Country of Origin

France

Item Condition

Used